《及膝》剧情简介
在突然失去亲人之后,被迫在爱荷华州农场上快速成长的年轻父亲卡尔墨尔本必须在挽救家族遗产和为自己和儿子追求未知的未来之间做出选择。
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简介:兄弟姐妹过早去世后,一位苦苦挣扎的年轻建筑师突然成为侄子的“单亲父母”。当有机会过上更好生活时,他必须在爱情生活、事业或侄子之间做出选择。
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美国垃圾
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简介:A midst a social crisis in the decaying world of Los Angeles, the city free falls into environmental ruin, chaos and a complete drug epidemic, creating a state of apathy and hate. Milles Carpis (Robert LaSardo) leans on the support of some new age hippie friends as they guide him away from violence when the woman he loves is murdered and Milles must face his greatest enemy.
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英雌
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简介:FLORIA, a dedicated nurse, navigates the relentless pace on a surgical ward with unwavering dedication, infusing humanity and warmth into her patient care even though the shift is understaffed. As the day intensifies, LATE SHIFT transforms into a gripping race against time, culminating in a riveting climax.
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穆卡德拉特
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简介:After losing her husband, Sultan, who is afraid of being left alone, tells her children that she wants to remarry immediately. However, her children do not find this appropriate, as only one day has passed since their father's death. Her son Nevzat, who has a traditional perspective, believes that no one in the small town will approve of this. Although her daughter Reyhan tries to respect her mother's wish, she thinks it is a decision made too soon. Despite her children's objections, Sultan does not give up on her desire. While searching for a suitable spouse, she also enters into business ventures, doing everything that people said "a woman cannot do." She converts her home into a guesthouse and manages it, opens a stall in the market, and competes with male vendors. Sultan’s attitude sets an example for other women in the town, who also begin to lead independent lives and work in the guesthouse and market like Sultan. Sultan’s struggle will also lead to the organization of women in the town and the development of their own identities.
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简介:
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简介:1949年,饱受战争重创的意大利城市那不勒斯,孤儿卡明和塞莱斯蒂娜相依为命。登上一艘海军舰艇,两个孩子横跨大西洋,前往纽约寻找塞莱斯蒂娜失散已久的姐姐。但是来到陌生的国度,手中的地址没能指引亲人的方向,一场新的冒险又揭开帷幕。本片以费里尼尘封的剧本为底稿,却弱化了“费里尼式”的躁动和怪诞,取而代之的是温馨质朴,仿佛一出传统的意大利三幕歌剧。导演借由两个意大利孩子的眼睛,用新现实主义笔触浸泡童话滤镜,在战后的创伤褶皱中打捞希望的光尘,引领观众穿梭回七十多年前,置身于满是瓦砾的那不勒斯、小世界般的越洋航船和充满了新世界气息的纽约。
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